Release Date: April 3rd, 2012
When indie folk transformed into a mainstream phenomenon a few years ago, nearly every bar’s jukebox became best buds with Mumford and Sons’ “Little Lion Man.” The beer slugging sing-along maintained a steady repeat for an overly extensive period of time, but luckily transcended into a new level of acceptance of folk genres. While indie gods like Fleet Foxes, Neutral Milk Hotel and Bon Iver are a mainstay in the culture, it’s undeniable that pop-fused acts have had an influence in the growth and expansion of folk music of various kinds.
The Lumineers have already breached a gap between independent, country and alternative genres. Their debut release, “Ho Hey” was released on March 9, 2012 for play on CMT, VH1 and MTV, a likely feat by Taylor Swift, but The Lumineers are charming and quite entertaining. “Ho Hey” is warm and comforting. Lullaby-like melodies chant soft and sweet love-torn vocals. Their vintage, old time country sound is bright in this track. Unlike some of the deeper tunes like “Slow it Down” and “Morning Song,” The Lumineers find a way to create a song with playful layers amongst sing-a-long lyrics.
The Denver-based trio – Wesley Schultz, Jeremiah Fraites, Neyla Pekarek – sings of love and loss in their nostalgic self-titled debut album. Their lovelorn, retro style is complemented by soft vocals and classic harmonies. “Dead Sea” is a lovely melody of strings with a 1950s tinge. This song, like a few others, is bound by the raw passion Lumineers so gracefully exude. The Lumineers is an easy listen; something to instantly put a smile on your face.
Amongst the lust, there is always sorrow. After beginning to play after the loss of Josh Friates, Jeremiah’s brother and Schultz’s close friend, the two drove their emotion into their music. “Slow it Down,” a track seemingly influenced by this tragedy in its shell, is piled high with emotions. Schultz’s vocals are passionate and bold. Soft guitar slowly plays as the background to a meaningful story.
The Lumineers create a song flow that will grasp attention at every turn. “Big Parade” is a steady build-up powered by rolling drums, gliding strings and the gentle chant of “Oh my my, oh hey hey.” They make sure not to explode too quickly, though. Each verse is a touch louder. Clapping ensues, and the band proves once again to be capable of a sing-along. A blessed reverie takes form in “Charlie Boy,” but the album quickly peaks again with the fuzzy, piano-driven “Flapper Girl.” In vintage flavor, this tune is a feel good love song. Following suit to tracks like “Classy Girls,” this track is best tailored for poodle skirts and small town living.
It’s highly likely that The Lumineers will gain mainstream attention, and perhaps end in drunken “clog” dancing. The trio’s versatility on their debut album shows depth and their pop sensibility translates well across the broad folk genre. The Lumineers have a heavy load of tour dates coming up with sold-out shows in Boston, New York and Philadelphia. The trio will also be making appearances at Summer Camp, Wakarusa and Hang Out Music Fest maxing out their summer until August.
The Lumineers – The Lumineers tracklist
- “Flowers in Your Hair”
- “Classy Girls”
- “Submarines”
- “Dead Sea”
- “Ho Hey”
- “Slow it Down”
- “Stubborn Love”
- “Big Parade”
- “Charlie Boy”
- “Flapper Girl”
- “Morning Song”
