“Lose Yourself,” the Grammy award-winning song became the hip-hop generation’s answer to “Eye of the Tiger,” thanks to that same generation’s answer to “Rocky,” Em’s semi-autobiographical 8 Mile.
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Though not an effort for the ages, or even the moment, Beltrami’s Original Motion Picture Soundtrack remains a Thing to be admired.
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The makers of “High Fidelity” produced a score that with all its timeless hits, is less soundtrack, more mixed tape.
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This record, as effective and relevant as ever, illustrates the emergence of a new kind of man—one who seeks self-actualization over social conformity.
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It was “the little indie film that could.”
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The distinctive aura of Half Nelson can’t be addressed, however, without bringing up the film’s original score & soundtrack, which is all Broken Social Scene.
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Hanna isn’t the greatest movie ever made, nor was the soundtrack the most brilliant album of all time, but put the two together, and it’s a creatively ingenious concoction.
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Arctic Monkeys’ Alex Turner pulls off a score of music on Submarine’s EP that isn’t like any tune from other films.
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The convention of the mixtape is where the genesis and the strengths of the soundtrack of 2004 indie film Garden State come about.
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In Ridley Scott’s Blade Runner, Vangelis captures the sounds of a future world.
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Ultimately, whether the film is enjoyable is almost irrelevant, because the soundtrack is good enough to stand as a music compilation all its own.
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“There Will Be Blood” uses so much of Greenwood’s compositions that the two become interlocking pieces of the puzzle.
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