Low – C’mon
When Alan Sparhawk and Mimi Parker lay stratospheric harmonies over minimalist instrumentation, the result is a thing of unrestrained beauty.
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When Alan Sparhawk and Mimi Parker lay stratospheric harmonies over minimalist instrumentation, the result is a thing of unrestrained beauty.
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It’s a remarkable story, a real life Gatsby, that a 20-year-old NYU “guidette” went from girl-with-a-guitar to the most recognizable name in pop music
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The artist that Source magazine named Rookie of the Year 2010 still has a lot to prove.
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Sometimes it’s blissful waves washing over you, other times you’re beating through boughs and branches, trying to get away.
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Lasers has shades of classic Lupe, but for the most part heralds a fierce departure.
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Nearly four excruciating years after Cross, Xavier de Rosnay and Gaspard Augé are back and yes, they still have their holy grail of a snare sample.
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Middle Brother touches on a myriad of emotions with their self-titled debut and perhaps even more remarkably, does it well
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With his latest and last, Skinner, who once professed, “a few eighths and a Playstation’s my vocation” has returned to prime form; it has shades of the breakbeat sampling, the honest self-evaluation and live instrumentation of his previous albums, making for one hell of a farewell letter. After a decade of mostly good memories, he lets us believe it’s not us, it’s him.
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Brundick collaborated with Urban Outfitters to shoot the music video for “New Beat.” The result of that pairing is kind of like the album: Smoky, obscure, shot on vintage film and selling hipsters their own lifestyle back to them.
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What Yuck showcases is a prodigious young band whose only direction from here is up.
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“When I make music, even when I hear it, I see colors, visions; a world waiting to be connected with the world we live in.”
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Kaputt is a rich fusion of soft rock, lite-jazz and ’80s pop.
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