The Right Now Can’t Wait
The airwaves were fertile for a takeover.
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The airwaves were fertile for a takeover.
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Anna Luca, a Swedish/German singer/songwriter and veteran of Nu jazz act Club Des Belugas marks her first solo effort, an incredibly luminous and variegated work.
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This album is heads and shoulders more palatable than its three predecessors. Instead of humdrum moroseness, ghostly harmonies and lovably nonsensical lyricism, we have clear vocals, basic premises and (for the most part) cheery vibes.
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A self-proclaimed “perfectionist,” the amount of sweat K.R.I.T. poured into 4EvaNaDay shines through.
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This marks the Arts and Craftsmen’s second full-length and already they’ve come out from moonlighting, guns blazing.
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For some, Toward the Low Sun could be taken as a palette cleanser.
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It was a concert that bound one up with the rapture of a spiritual experience, leaving the rest of the night dim and inane in comparison.
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Where Talabot succeeds unconditionally is in selection of sounds.
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Never one to shy away from the spiritual, Old Ideas could be Cohen’s biggest testimonial yet.
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It could be that Visions is the artist’s own, secret brand of fun but then what’s in it for everybody else? It’s like showing up to a rave, the only person sober.
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Headcage is Dear plunging back into his brand of experimental pop, free of context.
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Affectionate is a furious, brooding and exacting collection of break.
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