Jehst – The Dragon of an Ordinary Family
Unlike other subsistent sub-genres which have emerged in Britain, Jehst carries a classic, classic hip-hop sound, which these days means throwback.
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Unlike other subsistent sub-genres which have emerged in Britain, Jehst carries a classic, classic hip-hop sound, which these days means throwback.
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Infinity City is a sing-songy work, bright and triumphant but also whimsical and sharp-witted.
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Fans and haters alike have to wonder if part of the reason Benny sounds so quintessentially electro and, dare it be said, corny, is because he is quintessentially electro.
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As you begin to wonder if Keith is beating the living hell out of a detuned guitar, another emerges right behind it filling out the sound and announcing its intent.
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Time will tell if a change in sounds will restore the Kaisers to the throne.
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Whether they summoned the force to blast haters, floss their wardrobe or jock themselves, this compilation includes some of the finest reps that have ever been laid on tape.
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Arctic Monkeys’ fourth release is a move toward the comprehensible.
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There can be a creeping menace to Colorfeel—piano dribbles, winding clarinets, and crass, lethargic vocal stylings, but despite it astral tendencies, it’s never quite enough to convince you of its means.
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The soundtrack to a nonexistent film is nothing new, where Rome succeeds is as a thing of its own, begging the imagination to fill in the details.
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Every song was composed with 19th century “frontier” aesthetic in mind, but rather than attempt to recreate a period score, a more expressionistic homage to the time resulted
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There’s an air of mystery—listeners may find themselves wondering whether what they’re hearing is studied art rock or just an exuberant wild rumpus.
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Wasting Light is a return to form, reminiscent of simpler days.
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