written by: Michael Snydel
on September 17, 2014
Back in the ’90s, the shoegaze genre was as much a lifestyle as a musical aesthetic. Shoegazing was true to its name, more about sculpting a place to lose yourself than slashing guitar solos and rockstar heroics. With its daydream guitar tones, hypnotic melodies and the bruising combination of noise and pop, shoegaze was always […]
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written by: Michael Snydel
on September 16, 2014
Self-dubbed beach goth band The Growlers don’t make the best first impression. The band’s sound is familiar—R.E.M.’s jangle by way of the flamboyant brooders of ’80s new wave, and the lo-fi scuzziness of ’00s indie rock—and it could regress without refinement into the dozens of bands melding the surf and the streets. However, with Chinese Fountain, […]
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written by: Michael Snydel
on August 28, 2014
“It was a time of my life where I could just reflect on my past 24 years.”
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written by: Michael Snydel
on August 26, 2014
The Kooks is a band full of people who shouldn’t ever dance at parties. They know every lyric, memorized every step, and have practiced their swagger ad nauseam in the mirror, but no matter how well they go through the motions, they’re never going to be less awkward. The band’s fourth album Listen is similarly a […]
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written by: Michael Snydel
on August 21, 2014
Since her time as singer of beloved (and recently defunct) indie rock outfit Vivian Girls, and member of Woodsist jangle-pop band The Babies, Cassie Ramone has stood in the shadow of her influences. Most of the press surrounding Ramone has invoked vogue subcultures like C86, Phil Spector’s “Wall of Sound,” and the K Records DIY […]
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written by: Michael Snydel
on August 13, 2014
Whether it’s a weathered band releasing a stopgap release between proper LPs, or a new band trying to get its name out, EPs serve as a thankless option. More so than a full-length LP, an EP needs to be a mission statement—an encapsulation of the sound, ethos, and even the personalities of individual band members. […]
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written by: Michael Snydel
on August 10, 2014
Mimicking Birds are still a long way from recreating the hushed but grandiose feeling of their recorded output.
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written by: Michael Snydel
on August 5, 2014
The Voyager, Jenny Lewis’ first solo record in six years, is haunted by history. Among mentions of Daisy Age partying, bohemian flings, and space age relic Voyager 1, Lewis uses both her own memories and the collective past to move forward. She ruminates on hard-won wisdom, arrested adulthood, and the confusion of being exactly where […]
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