written by: Kaitlin Lounsberry
on October 6, 2014
Jessie Ware’s second studio album Tough Love is just as the title suggests, an exploration of love at its best and worst moments. Channeling the more progressive sounds of today’s pop music, Tough Love holds an authenticity because of Ware’s angelic vocals. Layered over synth pop beats, the 11-track album displays Ware’s talents as a singer/songwriter […]
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written by: Kaitlin Lounsberry
on September 16, 2014
Breakup songs are a staple in the music industry—but it isn’t often an artist tackles the subject of heartbreak for an entire album. Sondre Lerche’s third studio album Please holds the potential to be a record teeming with whiny, petty songs, blaming his (now) ex-wife of eight years for all the misery he’s experienced. However, while Lerche […]
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written by: Kaitlin Lounsberry
on September 5, 2014
When a band member leaves, either on good terms or bad, how remaining members choose to respond can be debilitating. After losing bassist Carlos Dengler, Interpol’s fifth studio album El Pintor stands as a risky move. However, over the course of Interpol’s 10 years on the scene, the band’s grown well prepared for the ups and downs associated […]
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written by: Kaitlin Lounsberry
on September 1, 2014
Chicago-based artist David Vandervelde’s third full-length album Shadow Slides reminisces on classic, psychedelic sounds of the ’70s, but perhaps too much so. Vandervelde creates a 10-track album far too similar to music produced in the ’70s for listeners to distinguish between Vandervelde’s own authentic sound, and sounds he mirroring from old hits. The lack of […]
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written by: Kaitlin Lounsberry
on August 19, 2014
Empire! Empire! (I Was a Lonely Estate,) the husband/wife duo’s latest album You Will Eventually Be Forgotten is packed with songs standard to the emo revival genre. The unique approach taken to create You Will Eventually Be Forgotten results in a hauntingly compelling album. However, despite the album’s ability to capture its audience’s attention, the way the verses are […]
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written by: Kaitlin Lounsberry
on August 14, 2014
The Young had every opportunity to push past the psychedelic vibe of debut album Dub Egg by trying for a darker, rockier feel for its second album. Any attempts would have worked had the songs been comprehendible, but the failing blame can be set on singer Hans Zimmerman, who mumbles through 10-tracks with heavy musical backing. Chrome […]
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written by: Kaitlin Lounsberry
on August 8, 2014
California band The Wild Reeds smoothly integrates into the world of folk rock with its first full-length album Blind and Brave. Though displaying a plethora of talent, the former-trio-turned-five-person band produces an album just fine to listen to—but when the band’s peers are willing to experiment and shock listeners with innovative ideas, just fine won’t cut […]
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