Miike Snow – Happy to You

written by: Ian Dick Jones on March 26, 2012

Their second album, Happy to You, has ten new songs for electronic fans to scour and a bunch of new songs for DJ’s and other artists to remix to high heaven.

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Music’s Favorite State Inspires Again

written by: Ian Dick Jones on March 15, 2012

Many iconic rock bands have written songs about California. Why? Why is this one state so rock ‘n’ roll-friendly? Why do these musicians have such a draw to the state? What are the differences between the songs today and the songs now? The most recent popular California songs were Local H’s “California Songs” (which was […]

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Trust – TRST

written by: Ian Dick Jones on March 7, 2012

Trust isn’t minimalist in their songwriting having only two members, but they certainly take it slow.

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Xiu Xiu – Always

written by: Ian Dick Jones on February 22, 2012

It might be the most accessible record the band has made, while still retaining their style.

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The Pharmacy – Dig Your Grave

written by: Ian Dick Jones on February 9, 2012

The Pharmacy creates catchy pop songs that sound simple and easy to play, but are actually complex pieces of music.

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Rites and Their Accidental Electronic Destiny

written by: Ian Dick Jones on December 16, 2011

Justin Gilman and Juan Galindo are the two founding members of Chicago indie duo Rites. Their sound draws from bands like MGMT, James Blake, and Passion Pit, ones that mix traditional rock and electronic music. They pull from other, more subtle influences like heavy metal, early 2000s punk/emo/hardcore, Grizzly Bear and Radiohead. How do all of these eclectic influences fuse together in harmony? Let’s find out.

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Is Dance Music Sexist? Not After Ducky

written by: Ian Dick Jones on December 2, 2011

Ducky knows her way around both the artful studio production side of electronic music as well as being able to command a stage with go-go dancers, or behind the DJ booth.

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Beaten By Them – People Start Listening

written by: Ian Dick Jones on December 2, 2011

People Start Listening, is a slightly contradictory piece of music as it is both aggressive and ambient, supporting the argument that you don’t have to turn your amps all the way to eleven to rock out.

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