This One Time, at Liberal Arts College…
In the new indie Liberal Arts, classical music makes a comeback.
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In the new indie Liberal Arts, classical music makes a comeback.
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Just as the pangs of adolescence can be brutal and tender in almost the same breath, the soundtrack to Perks is an awkwardly beautiful representation of Generation Y.
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Thanks to a brilliantly sinister score by Radiohead guitarist Jonny Greenwood, “The Master” is Paul Thomas Anderson’s most unsettling film to date.
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Boy meets dream girl—literally.
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Clueless offers a soundtrack that contradicts the movie’s title.
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In an epic tragedy of self-discovery, adventure and the will to live off the grid, “Alexander Supertramp” risked his life, and lost it, for happiness.
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A soundtrack goodbye to childhood or celebration of it?
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The soundtrack that scatters modern songs alongside a traditional story acts as a noticeable vehicle for cross-generational fusion in Baz Luhrmann’s Romeo + Juliet.
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The songs of (500) Days of Summer are a mix of old and new, and despite the story’s tragic turn, more akin to a sunny glow of nostalgia than a dark cloud of angst.
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While dark humor and a cast of quirky characters are standard for Anderson, another diagnostic feature of his films is the soundtrack.
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Labyrinth is fun, bold and imaginative, but at the end of the day, it’s weird.
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The entire album pulses with playfulness, energy and life.
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