This One Time, at Liberal Arts College…
In the new indie Liberal Arts, classical music makes a comeback.
Read MoreIn the new indie Liberal Arts, classical music makes a comeback.
Read MoreJust as the pangs of adolescence can be brutal and tender in almost the same breath, the soundtrack to Perks is an awkwardly beautiful representation of Generation Y.
Read MoreThanks to a brilliantly sinister score by Radiohead guitarist Jonny Greenwood, “The Master” is Paul Thomas Anderson’s most unsettling film to date.
Read MoreBoy meets dream girl—literally.
Read MoreClueless offers a soundtrack that contradicts the movie’s title.
Read MoreIn an epic tragedy of self-discovery, adventure and the will to live off the grid, “Alexander Supertramp” risked his life, and lost it, for happiness.
Read MoreA soundtrack goodbye to childhood or celebration of it?
Read MoreThe soundtrack that scatters modern songs alongside a traditional story acts as a noticeable vehicle for cross-generational fusion in Baz Luhrmann’s Romeo + Juliet.
Read MoreThe songs of (500) Days of Summer are a mix of old and new, and despite the story’s tragic turn, more akin to a sunny glow of nostalgia than a dark cloud of angst.
Read MoreWhile dark humor and a cast of quirky characters are standard for Anderson, another diagnostic feature of his films is the soundtrack.
Read MoreLabyrinth is fun, bold and imaginative, but at the end of the day, it’s weird.
Read MoreThe entire album pulses with playfulness, energy and life.
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