A Song for Every Day
We get it—Rebecca Black’s “Friday” is an awful, terrible song. But let’s not forget that the song is about one of the most anticipated days of the week.
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We get it—Rebecca Black’s “Friday” is an awful, terrible song. But let’s not forget that the song is about one of the most anticipated days of the week.
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It’s one of those rare albums that—regardless of whether you’ve actually heard it straight through—you’ve probably encountered almost in full just by flipping through radio stations.
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Lady Gaga has arrived to ruin pop music forever, with trailer-trash icon Ke$ha and good Christian bitch Katy Perry on her leash, ready to clear out the opposition for her takeover of radio, but a trio of women seems equally hell-bent on saving us from ourselves
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In a little more than a year, HipCats Entertainment has grown to be a local Phoenix staple, putting on concerts at Phoenix First Fridays, Scottsdale, Ariz., Third Thursdays.
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While Grandaddy’s disenchanted view of technology has not come to fruition thus far, its intuition about the future of indie pop was dead-on.
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Spice offered some hypnotizing pop songs that were catchy and PG for the kids, but provocative enough for the older listeners. It was the album that launched the girl group into pop stardom.
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Some covers are hilarious and some are breathtaking; some end up becoming more famous than the original; some are more bone chilling than the original, yet unknown to the public
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Adele’s “Rolling in the Deep” offers nostalgia at its best.
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Bareilles’ voice flows more steadily here than it does in her previous single, and it’s a comforting reminder of why she became successful in the first place.
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Hate ’em or tolerate ’em, they’re here to stay, and we’ve got a sweet little list of the music industry’s most obnoxious duos.
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Byrne describes scenes filled with “nothing but flowers,” a kind of oxymoron meant to illustrate society’s misguidance—as if flowers are a bad thing and entirely inconsequential to the glory of fast food and microwaves
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Imagine one of The Flaming Lips composing a (largely) instrumental soundtrack to a documentary about music, and one might have an idea of what this sounds like
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