written by: Craig Bechtel
on January 18, 2013
Sunday’s show at Chicago’s Schubas Tavern drew a packed crowd of the Midwestern faithful, so much that at times it was hard to tell if it was Schelzel’s reverb-heavy tenor or the attendees singing along that created a chorus effect on his lead vocals.
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written by: Gregory E. Frohbieter
on December 11, 2012
Fifty years on and The Rolling Stones showed Barclays Center that they still haven’t forgotten how to rock ‘n’ roll.
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written by: Jason Radford
on December 3, 2012
LaMontagne, introduced as “one of the best singer-songwriters in the world,” took to the Chicago Theatre stage to support the double-threat credibility the singer had earned thus far in his career, and roused a full house to their feet at the sound of his melting voice.
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written by: Shannon Shreibak
on November 8, 2012
Sharon Van Etten is a stained glass masterpiece onstage—handfuls of broken pieces carefully fixed into an intricate puzzle. Elegant as this display may be, Van Etten still looks like she could shatter at any moment. Van Etten showed at the Metro on Nov. 6, 2012, that she could tie herself together by the heartstrings to […]
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written by: Jason Radford
on November 4, 2012
With an intimate setting such as the scene set at the Anthenaeum, Gibbard may have expected his crowd to behave more accordingly, but given the mid-sized, full Lakeview 20-something crowd, some of the sheath was punctured between bouts of buzz-induced banter between shouters and the performer.
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written by: Shannon Shreibak
on November 2, 2012
The Wood Brothers seem to have navigated a typical path leading to a colorfully rooted folk catalog—musically-inclined parents, numerous fruitless bands—but their music is anything but the clichéd wispy, wandering-in-the-mountaintops indie. Two brothers, Colorado natives, formed a band to steep their love for folk in a kettle of smoky blues and crisp R&B beats. While […]
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written by: Shannon Shreibak
on October 29, 2012
With no toleration for dead air, the band packed song after song without sparing the audience a single breath, making the high-power set all that more impressive.
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written by: Abby Johnston
on October 22, 2012
We’ve been piecing together the facts and analyzing stats to bring you the brightest points of this year’s ACL and the specs on the spectators.
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written by: Shannon Shreibak
on October 21, 2012
The night promptly began with a quick set of Bastardgeist’s melancholic eclectronica. The Chicago duo—one half resembling a geek squad Moby DJ, the other a hipster club kid—was tensely arranged face-to-face, synth-to-synth, a 21st century satirical dueling pianos. Distorted hints of New Order prevailed in melancholic loops, and the faint vocals often veered off ambient […]
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written by: Craig Bechtel
on October 15, 2012
Almost as difficult to describe as their name is to pronounce, Austin sextet Balmorhea put on a phenomenal set on a showery Sunday night at Chicago’s Schubas. It’s pronounced ball-more-ay: unlike their music, it’s not as difficult as it first appears. The group is named after a town of 500, six hours west of Austin, […]
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written by: Kim Manning
on October 10, 2012
No matter the setting, big or small, Whitmore treats it as he is welcoming everyone into his home and into his life.
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written by: Ciara Shook
on October 6, 2012
Crocodiles put on a short-but-sweet set that left little room for filler or chatter. The close quarters and reckless acoustics of Subterranean fused the sound with anyone who could hear it.
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