Nikki Lane – Walk of Shame
Because country-western hasn’t trended hip yet, Lane must weather a storm of “meh’s” from people who dismiss the genre entirely.
Read MoreBecause country-western hasn’t trended hip yet, Lane must weather a storm of “meh’s” from people who dismiss the genre entirely.
Read MoreYou have been listening to some of the greatest emo songs of all time without even knowing it.
Read MoreWhich song are we talking about, Katy Perry’s “T.G.I.F.” or DOM’s “Happy Birthday Party?”
Read MoreIn an effort to change the negative stigma of covering a Top 40 song, here are four pitch-perfect examples of alternative entities spinning Top 40 to their own whims most excellently.
Read MoreSlave Ambient satisfyingly studies an interesting paradigm, even if it’s one that won’t get them any more recognition.
Read MoreWhile “Dig!” catalogued the breakdown of one of the most potential-filled bands of the last 15 years, its soundtrack would be CliffsNotes for a scene that saw themselves just as important as Newcombe, and capable of the same “righteous” battle against the evil forces of the record industry, immortalized by Courtney Taylor-Taylor.
Read MoreSave The Clocktower gives off the impression that, while they strive to be like their buzzy references, the result is more a function of their ability to drop art for a reach at a bigger audience.
Read MoreIn an age of confounding your emotions, that Raitt is experiencing a small resurgence is a lasting testament to “I Can’t Make You Love Me” being a singular, perfect pop song.
Read MoreTheir third LP, Twist Again, is a slight trinket of propulsive Sunshine State AM pop, building upon the Metcalfs’ strange connectivity in aurally pleasing ways.
Read MoreDress Like Your Idols, a record with no ambition, succeeds simply because it exists, and it’s a pretty good time.
Read MoreTaking Back Sunday is no longer the band that missed its opportunity to be great. They’re the band who wasted its opportunity.
Read MoreBecause these three couldn’t keep their personal drama from blatantly filling every pore of their identities, they have become relatable symbols of a movement that prides itself on having feelings—important feelings.
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