Despite the emergence of this new, artistically driven mode of filmmaking, before “The Third Man,” noirs still too often succumbed to the clichéd string arrangement scores of their predecessors.
Read More
The spaces inside EVOL are jarring and fragmented, yet utterly real.
Read More
What type of bands, after establishing themselves with a singular sound, have the gall to explore uncharted waters and their deepest fears like The Velvets did in ’68?
Read More
Angus Andrews’ sighing falsetto is the first sound heard on the Liars’ Sisterworld, before backup accompaniment settles in to complement him.
Read More
