Margot Tells Tales
on July 8, 2011
“As Tall As Cliffs” is a rootsy song that discusses the woes of lying.
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Flash! Shit, What A Record
on July 5, 2011
As you begin to wonder if Keith is beating the living hell out of a detuned guitar, another emerges right behind it filling out the sound and announcing its intent.
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The Hit That Should Have Been
on June 21, 2011
In a landscape where Green Day popularized neuroticism with tracks like “Longview” and “Basket Case,” it’s hard to understand why “Fireman” never found an audience.
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The Lost Art of the Single
on June 13, 2011
This single is Rabble Rabble showing they can do macroeconomics tripping on LSD while juggling knives.
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A Man, A Wire, A Statement
on June 7, 2011
The dude literally cut his teeth: A car accident in October 2002 left Kanye West with his jaw wired shut.
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What does S&M really stand for?
on June 3, 2011
Rihanna clearly is invested fully in playing the part of the bondage queen, and the performance at the resurrected Billboard awards served as a natural extension of the similarly over-the-top music video.
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Just Like Sister Ray Said: Pleading the Case For Rock’s Alienation
on June 1, 2011
What type of bands, after establishing themselves with a singular sound, have the gall to explore uncharted waters and their deepest fears like The Velvets did in ’68?
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He Who Laughs Last, Laughs His FAO
on May 12, 2011
If there was ever need to get up and dance to something that isn’t the run-of-the-mill crap played on MTV, LMFAO is the ticket to such.
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Adele Rolls Deep
on April 27, 2011
Adele’s “Rolling in the Deep” offers nostalgia at its best.
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David Byrne’s Ironic Dystopia
on April 22, 2011
Byrne describes scenes filled with “nothing but flowers,” a kind of oxymoron meant to illustrate society’s misguidance—as if flowers are a bad thing and entirely inconsequential to the glory of fast food and microwaves
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Right for the Fight, Cat Stevens – “Peace Train”
on March 7, 2011
Beyond the darkness, the peace train lies in wait
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Still Fresh After All These Years
on March 2, 2011
Hip-hop’s identity is one that is built upon both musical style and the region in which it was created. There’s no way Wu-Tang Clan could have come out of Los Angeles, and N.W.A. could have never been founded in New York
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