The Kooks Flaunt Their Junk on New Single
on October 28, 2011
The jangle-pop single, “Junk of the Heart (Happy),” boasts a romantic embodiment that just may simply “make you happy.”
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‘Death by Diamonds and Pearls’ and the Reclamation of Rock ‘n’ Roll
on October 20, 2011
“Death by Diamonds and Pearls” is an anthem-y, rough and tumble track that contains pretty much every element you could want from a good rock song.
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‘House’ Actor on a Different Note
on October 12, 2011
Through his vocals and piano playing, Laurie invites an upbeat, revised syncopation in his adaptation of “Swanee River,” a traditionally melancholic song.
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M83 Creates a Sprawling Metropolis in ‘Midnight City’
on October 4, 2011
“Midnight City” lends itself to breezy, spiraling synths and softhearted vocals that echo under a reflective, pop-worthy landscape.
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Rising Above and Into a Rock Star
on September 23, 2011
This is when the world was introduced to Boyd’s poetic lyrics.
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Fame as Motivation
on September 13, 2011
Tracks from Lungs have been criticized for their ethereal tangents and lack of cohesion, but all the stars—which Welch frequently waxes on about—align for “What the Water Gave Me.”
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Call Your Girlfriend, and Tell Her About Robyn
on September 2, 2011
Robyn’s single, “Call Your Girlfriend,” is a prime example of Robyn’s true prowess, and why she truly is the most killingest pop star on the planet.
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Fostering Contempt
on August 25, 2011
Beyond the hook and the dark subject matter, “Pumped Up Kicks” may have struck another nerve.
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In Honest Reverence Of Pain
on July 27, 2011
In an age of confounding your emotions, that Raitt is experiencing a small resurgence is a lasting testament to “I Can’t Make You Love Me” being a singular, perfect pop song.
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Obsessives Obsessed with Obsessives
on July 25, 2011
At its core, “I Know Where Syd Barrett Lives” is sweet and gentle pop tune, set to an acoustic guitar and sung ever so softly by Television Personalities frontman Dan Treacy.
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“Cut Your Hair” and Its Ironic Success
on July 21, 2011
“Cut Your Hair” did exactly what it needed to. It critiqued the industry, gained an audience big enough to have some impact, but didn’t tear apart the band by thrusting them into the limelight.
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Rubblebucket Ushers in Yes Wave
on July 15, 2011
Prepare for this single to nest itself in your head. It won’t go anywhere for a while.
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