Nikki Lane – Walk of Shame
Because country-western hasn’t trended hip yet, Lane must weather a storm of “meh’s” from people who dismiss the genre entirely.
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Because country-western hasn’t trended hip yet, Lane must weather a storm of “meh’s” from people who dismiss the genre entirely.
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You have been listening to some of the greatest emo songs of all time without even knowing it.
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Which song are we talking about, Katy Perry’s “T.G.I.F.” or DOM’s “Happy Birthday Party?”
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In an effort to change the negative stigma of covering a Top 40 song, here are four pitch-perfect examples of alternative entities spinning Top 40 to their own whims most excellently.
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Slave Ambient satisfyingly studies an interesting paradigm, even if it’s one that won’t get them any more recognition.
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While “Dig!” catalogued the breakdown of one of the most potential-filled bands of the last 15 years, its soundtrack would be CliffsNotes for a scene that saw themselves just as important as Newcombe, and capable of the same “righteous” battle against the evil forces of the record industry, immortalized by Courtney Taylor-Taylor.
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Save The Clocktower gives off the impression that, while they strive to be like their buzzy references, the result is more a function of their ability to drop art for a reach at a bigger audience.
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In an age of confounding your emotions, that Raitt is experiencing a small resurgence is a lasting testament to “I Can’t Make You Love Me” being a singular, perfect pop song.
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Their third LP, Twist Again, is a slight trinket of propulsive Sunshine State AM pop, building upon the Metcalfs’ strange connectivity in aurally pleasing ways.
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Dress Like Your Idols, a record with no ambition, succeeds simply because it exists, and it’s a pretty good time.
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Taking Back Sunday is no longer the band that missed its opportunity to be great. They’re the band who wasted its opportunity.
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Because these three couldn’t keep their personal drama from blatantly filling every pore of their identities, they have become relatable symbols of a movement that prides itself on having feelings—important feelings.
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