A Band of Bees – Every Step’s a Yes
Though they’ve been around for a little while, this release couldn’t have come at a better time. Every Step’s A Yes’s sounds are so in right now.
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Though they’ve been around for a little while, this release couldn’t have come at a better time. Every Step’s A Yes’s sounds are so in right now.
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The Weeknd’s latest work is a combination of high-intensity stories, rich falsetto bits and ridiculously grounding flows.
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The Papercut Chronicles II reels in listeners with an intro song that might have been inspired by google’s pronunciation voice in an experimental beginning like no other.
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Girl in a Coma’s unsteady beginning already leads to doubt for anything substantial from the start.
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Arctic Monkeys’ Alex Turner pulls off a score of music on Submarine’s EP that isn’t like any tune from other films.
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Whatever Kimbra’s going for, she claims as her own. All is achieved that has been attempted. We’ll take it.
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The energy along Ceremonials asks for listeners to become accustomed to it. It’s an acquired taste that only gets strengthened toward the end of the album.
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If everything truly makes you stronger, then couldn’t that hypothetically be an excuse for the album totally sucking?
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Soul Punk was supposed to defy the “I’m so drunk” ways of the popular Top 40 trends, and here, it conforms as much as possible.
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Though it doesn’t start well, the album soon turns to greatness.
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The energy throughout Metals is strikingly cool. It won’t scare listeners or surprise viewers, but it’ll surely settle them.
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As a whole, Dum Dum Girls have produced something particularly uninspiring.
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