Damn the Torpedoes, Petty is still Heartbreaking!
Here’s to an album that embodies American rock at its finest, before catchy pop flooded the airways and musicianship could suffice with electronic machines.
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Here’s to an album that embodies American rock at its finest, before catchy pop flooded the airways and musicianship could suffice with electronic machines.
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Visions aptly layers darker beats above glittery falsettos above bouncy synths for a very dance worthy, cohesive piece.
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“Born to Lose” is full of turbulent beats and distorted guitars that audibly challenge and facilitate Alexis Krauss’ soft melodies, not to mention your speaker’s volume capacity.
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If Sigur Rós and Björk have championed a majority of what we hear from Iceland’s music scene, OMAM are up-and-coming contenders.
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“The Noose of Jah City” reminds us of our teenaged suppression and the ways we overcame such generational hardships.
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Violator’s faith-challenging confluence of jealousy, devotion, absolution and lust marks the band’s highest critical, commercial, and thematic success.
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Here’s a brief recap of the festival highs, lows and the just plain weird.
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We gave you Eight Songs to Start a Fight To, now here are a few songs to celebrate the victory or ease the agony if you ever find yourself in a violent brawl.
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Despite his lush guitar arpeggios and diverse arrangement of layers and loops, McGuire’s recent effort seems slightly incomplete.
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Breaks’ elegance rests largely on Bachmann’s devout songwriting and performance rather than his instrumentation.
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Fusing hip hop rhymes, soothing R&B, punk rap and fanciful quirks into respective tracks makes for a unique, though not entirely cohesive, album.
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Gonzalez’s fresh offering is an accumulation of everything he’s done up to this point and, as a whole, it also demonstrates a significant direction for the artist’s future.
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