We Are Hex on Jack White and Being in it for Life
If you’ve grown tired of your friend’s boring garage band and wish they could just kick it up a notch, you’re probably not talking about We Are Hex.
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If you’ve grown tired of your friend’s boring garage band and wish they could just kick it up a notch, you’re probably not talking about We Are Hex.
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Because of this strange and unique sound and style that Art vs. Science has, some songs excel in their originality while others fall flat and are simply annoying and headache-inducing.
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The Chain Gang of 1974 slips frenetically between rock, electro, dance and little bit of funk.
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Biosphere’s N-Plants is a half-boring, half-intriguing trip through ambient soundscapes mixed with traditional techno beats and eerie sampled sounds from old movies.
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Shangri-La isn’t a bad album, it just seems that YACHT didn’t try to expand their sound.
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He’s collecting riffs and guitar tones from all over the place, from psychedelia to grunge, sounds from the ’60s to Wavves.
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Ford & Lopatin sound like your typical electronic band trying to be retro, but for some reason you keep listening.
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Both Ren and Josh admitted they were much more into dirty blues while recording their first EP, but were listening to a lot more pop while they were writing and recording Red Balloon.
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This single is Rabble Rabble showing they can do macroeconomics tripping on LSD while juggling knives.
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Walls is a sharp record that doesn’t let the listener down for a moment.
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Austra’s new album, Feel It Break, is a mix between dance music and down tempo electronica.
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You can’t judge books by their covers, but if War of the Roses sounds like something you normally wouldn’t be into, you’re 100 percent correct.
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