Few things are more glorified than the lives of musicians. Hold your nose and close your eyes for the dose of reality this list of movies is about to serve you.
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Seven years of rumination and commitment have finally birthed the self-titled debut album of the Chicago-based electrofunk duo.
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An in-depth interview with Kim Cooper of An Horse about how they have gotten where they are, what’s next, and the origin of “An Horse.”
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One becomes easily frazzled listening to this album.
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The War on Drugs has firmly planted their flag in these soundscapes. They stand alone putting a new twist on Americana, spritzing our age-old Coca-Colas with lime.
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Every track on It Culls You could have easily been lost amongst the clutter on the radio in the mid-90s to early 2000s.
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Cass McCombs’ sixth full-length and second of this year adds to the artist’s decline since reaching his pinnacle with Catacombs in 2009.
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As usual, Those Who Didn’t Run is built on Stetson sending sounds orbiting around a central saxophone riff. And although totally unfamiliar, the noise is alluring, entrancing.
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Remarkably simple & uncluttered, Surfer Blood makes creating good music seem easy. They picked up where they left off on Astro Coast with Tarot Classics.
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And now Reed is following in Metallica’s footsteps.
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As far as ingenuity or musical invention, this album lacks it completely, but for Deer Tick fans, that’s probably a good thing.
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Recently, people have debated whether today’s musicians are building upon the sounds of their inspirers or if today’s music has simply stopped progressing.
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