Maylene and the Sons of Disaster – IV
Maylene proves that consistency is important, and in this instance, it’s being consistently abhorrent.
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Maylene proves that consistency is important, and in this instance, it’s being consistently abhorrent.
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La Dispute stepped up its game and is now challenging fans to take that step along with them.
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With two full-lengths and a stellar EP added to its discography, Polar Bear Club returns with Clash Battle Guilt Pride.
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His latest release sees Murs team up with Ski Beatz to create an album that exemplifies the strongest traits of both artists.
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The Wonder Years is a great reminder of how well classic hip-hop techniques have stood the test of time, but what is lacking is the sense of adventure.
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What The Hunter lacks in concept, it makes up for with pummeling riffs courtesy of guitarists Brent Hinds and Bill Kelliher.
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As the albums bobs and weaves through styles and techniques, it sees Astronautalis craft some of his strongest tracks to date.
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The songs that make up Covering Ground prove to be vastly better than that of Gold Country.
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Subsequent volumes in this series have a lot to live up to, but given this EP’s strengths, there is little doubt that Circle Takes The Square is going anywhere but up.
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“There Will Be Blood” uses so much of Greenwood’s compositions that the two become interlocking pieces of the puzzle.
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Closer to Closed will certainly alienate fans who hoped the band would somehow rewrite “Capricorn,” but it feels like the place Braid would have ended up, had they stuck around for another decade.
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Taking away the album’s hype, all that is left is a spotty mixtape from two artists that could do so much better.
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